02.   Edition Thonet Tagliabue

→ Editorial / Poster / Print / Editorial / Print

A catalog translating THONET’s tubular chair collection into a tactile editorial object.

Furniture catalogs typically prioritize technical documentation and product clarity.
While informative, they rarely communicate the physical qualities of the objects themselves.
The project explores how editorial design can convey the tactile identity of THONET’s tubular chair collection.
THONET’s tubular chairs balance industrial
precision with sculptural form.
Rather than presenting the chairs through neutral documentation,
the catalog reflects their surfaces and textures through
the structure of the book itself.
Paper becomes a medium through which the objects are interpreted.

Structure → Dedicated pages for each chair
Surface → Paper choices reflecting material finishes
Light → Photography emphasizing form and reflection
Rhythm → Alternating paper stocks

Matte and gloss paper stocks
Textured and translucent sheets
Paper sequencing
Object-focused photography
Minimal typographic framework

The catalog reframes furniture documentation as a tactile publication.
Variations in paper and sequencing translate
the surfaces of THONET’s tubular chairs into print.
The book functions both as reference and as physical object.

09.   Taped into a distorted reality

Taped in a Distorted Reality is a conceptual photography project that examines the tension between human presence and digital dependency. Through striking and unsettling imagery — phones taped onto faces — the series visualizes how technology both connects and confines, creating a distorted sense of self and reality. The work acts as a commentary on digital isolation, where endless connectivity paradoxically amplifies emotional distance.

The taped phones symbolize self-imposed confinement — a personal prison constructed through constant screen engagement. The subjects, absorbed and immobilized, embody the paradox of being both hyper-connected and profoundly detached.

By blurring the boundary between reality and virtuality, the project invites reflection on how technology mediates perception, reshapes identity, and numbs emotional authenticity. The photographs oscillate between the absurd and the poetic, asking: At what point does our dependence on technology erase our humanity?