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Warning: Design might cause inspiration
Warning: Design might cause inspiration
Warning: Design might cause inspiration
Warning: Design might cause inspiration
Warning: Design might cause inspiration
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PROFESSIONAL EXPERIENCE
→ SAINT LAURENT – GRAPHIC DESIGNER MARCH 2024 — PRESENT | PARIS
CREATION OF PRINT AND DIGITAL VISUALS (EDITORIAL, LOGOS, VINYL, ETC.)
PARTICIPATION IN PRINT AND DIGITAL IMAGE PROJECTS
ICONOGRAPHIC RESEARCH, LAYOUT OF PRESENTATION FILES
BENCHMARKING, TREND MONITORING, CONCEPT RESEARCH AND PROPOSALS
DESIGN OF ART AND CULTURAL EXHIBITIONS
PROPOSING/CREATING “RIVE DROITE” PRODUCTS
PREPARATION OF TECHNICAL FILES FOR PRINTING
→ SAINT LAURENT – GRAPHIC DESIGN INTERN SEPTEMBER 2023 – MARCH 2024 | PARIS
CREATION OF PRINT AND DIGITAL VISUALS
LAYOUT OF PRESENTATION FILES
PHOTO EDITING FOR LOOKBOOKS AND PRESS IMAGES
DESIGN OF ART AND CULTURAL EXHIBITIONS
PREPARATION OF TECHNICAL FILES FOR PRINTING
→ FREELANCE – GRAPHIC DESIGNER MARCH – JULY 2023 | GENEVA
PROJECTS: WEBSITES, VISUAL IDENTITIES, BROCHURES, POSTERS.
→ DIGIT’ALL – GRAPHIC DESIGN / WEB DESIGN INTERN SEPTEMBER 2022 – MARCH 2023 | GENEVA
CREATION OF VISUAL IDENTITIES & UX/UI USING WEBFLOW/FIGMA
PRODUCTION OF PRINT AND DIGITAL VISUALS, GRAPHIC GUIDELINES/CHARTS
SOCIAL MEDIA DESIGN, PHOTO STUDIO MANAGEMENT
HOSTING - VISUAL IDENTITY WORKSHOP AT HEG GENEVA
→ EXPLORE GENEVA ASSOCIATION X HEAD GENEVA – GRAPHIC DESIGNER 2021 – 2022 | GENEVA
CREATION OF THE VISUAL IDENTITY OF THE EVENT: RÊVONS LA VILLE DE DEMAIN.
SIGNAGE, PRINT/DIGITAL MATERIALS, WEBSITE
→ ADGENTES TRAVEL AGENCY – GRAPHIC DESIGNER JULY. 2018 | GENENA
CREATION OF AD CAMPAIGN POSTERS, PRINT FILES

→ DESIGN BY SUPERNOVA – GRAPHIC DESIGN INTERN FEBRUARY – JUNE 2017 | GENEVA
LOGOS, POSTERS, BROCHURES, WEBSITES PHOTO EDITING, PREPARATION OF TECHNICAL FILES
CLIENTS: ARAB BANK, BNP PARIBAS, FESTIVAL DU RIRE, CAMEL, ETC.
EDUCATION
→ 2019-2022
HEAD - Geneva (Haute École d'Art et Design de Genève)
Bachelor of Arts in Visual Communication

→ 2018-2019
Nicolas Bouvier – Business School Maturité professionnelle,
specialized in Arts & Applied Arts

→ 2014-2018
CFPArts (Centre de formation Professionelle)
Graphic Design CFC diploma

SKILLSET
DESIGN
ADOBE SUITE – PHOTOSHOP, INDESIGN, ILLUSTRATOR, AFTER EFFECTS, PREMIERE PRO
TYPE DESIGN – GLYPHS 3
3D MODELING – SKETCHUP
AI tools - midjourney, firefly, runway

UX/UI SKILLS
HTML+CSS, WORDPRESS, WEBFLOW, FIGMA, ADOBE XD, TWINE

PHOTOGRAPHY TOOLS
LIGHTROOM, ADOBE BRIDGE

LANGUAGES
GREEK – NATIVE
ENGLISH – BILINGUAL
FRENCH – BILINGUAL
ITALIAN – LEVEL B1
WORKSHOPS
→ 2021
Experimental editorial design with Sereina Rothenberger (Hammer Studio, Zurich) and Olivier Lebrun - HEAD-Genève
Editorial Design with NORM, Zurich - HEAD-Genève

→ 2020
Emotion & Typography with Julien Tavelli et David Keshavjee (Studio Maximage) - HEAD-Genève
Creative Coding with Pierre Rossel and Mitch Paone (DIA Studio, New York/Genève) Interactive design – HEAD-Genève

01.   Compulsive Collection v.5: Edition Surface

   COMPULSIVE Collection V.5 is the fifth volume in the ongoing COMPULSIVE series — a body of work exploring the aesthetics of repetition, discipline, and obsession through the lens of human anatomy.

  Developed in partnership with the Béjart Ballet Lausanne, this 740-page publication examines the anatomy of dancers, with a precise focus on the back as the central site of movement, endurance, and expression.The project investigates how the back functions as a structural archive of choreography — a living record of gesture, training, and tension.

   Within the practice of ballet, the back is both invisible and essential. It sustains posture, projects emotion, and mediates the balance between strength and fragility.

   By isolating and documenting this part of the body, V.5 shifts the viewer’s attention from the visible performance to the mechanics and memory behind it. The publication becomes a compulsive act of archiving — capturing not just static anatomy but the residues of motion. The work challenges how movement can be preserved, translated, and experienced in printed form.

   COMPULSIVE Collection V.5 functions as both document and object — an attempt to archive something inherently unarchivable: movement.

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